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Christmas With Walt Disney Opens to Great Reviews - 
Clearances by Rights Camera Action

Los Angeles, November 30, 2009

This doc is narrated by Walt's daughter, has a lot of family archival footage and other vault footage and never-before-seen 'stuff.'  It's at the new Disney Family Museum, (dedicated to Walt and his work) which recently opened up in SF.  

Don Hahn, producer, also recently finished another doc called "Waking Sleeping Beauty," an amazing historical doc about the Eisner/Katzenberg era at Disney.  Don was an animator (along with Tim Burton, John Lasseter) during the transition years, and there is a lot of on-the-lot footage taken by some of the animators, themselves, interviews with the key players from that time, and candid stories about what was going on behind the scenes.  It will be released theatrically in March, 2010.

Following is the Daily Variety review of this new Disney doc.  The SF Chronicle also gave it a great review.  


Christmas With Walt Disney
(Docu) A Walt Disney Family Museum production. Produced by Don Hahn. Co-producer, Connie Nartonis Thompson. Executive producer, Craig Murray. Directed by Don Hahn. With: Diane Disney Miller. 
By DENNIS HARVEY 
The slender length and initially limited exposure of "Christmas With Walt Disney" belie the rather wonderful archival materials encased in this charming compilation of Yuletide-related materials from throughout the founder's lifespan as studio chief. Commissioned by the Walt Disney Family Foundation and playing an exclusive world-premiere engagement through the holidays at the recently christened Walt Disney Family Museum in San Franciscio's Presidio, the docu could easily be expanded for DVD or modest further theatrical rollout, though its current shape ensures annual broadcast viability.

Directed by latter-day Disney honcho Don Hahn, producer on "Beauty and the Beast" and "The Lion King," "Christmas" consists entirely of astutely assembled vintage clips, along with reminiscing narration by Walt's eldest daughter, Diane Disney Miller.

The clips run a wide gamut. Cartoon excerpts include well-remembered bits from "Lady and the Tramp" and "Fantasia," but are often too briefly glimpsed, especially those from lesser-known shorts.

Live-action features are represented by sentimental Christmassy sequences in 1960s live-action features "Swiss Family Robinson," "Those Calloways," "Babes in Toyland" and "The Happiest Millionaire."

There are also diverse bits from Disney TV programs, not just "The Wonderful World of Disney" and "Mickey Mouse Club" but also kitschy early-1950s specials featuring odd commercials ("Sponsored by Johnson & Johnson, the most trusted name in surgical dressings and baby products!").

We see footage of the 1960 Winter Olympics in Squaw Valley (the first Games to be broadcast live), whose pageantry aspects Disney was invited to produce. A long montage of Disneyland Christmas Day parades features both "It's a Small World" internationalism and some unhappily dragged-along exotic animals. Walt's frequent, genial presence in the telecast sequences remind how high-profile a figure he once cut in American culture -- not just as a brand, but as a fatherly public personality.

Pushing 80 but sounding very spry, Disney Miller has plentiful homemovies backing up her claim, "He was a wonderful dad." She and sis Sharon appear to have had a very fortunate but not overspoiled childhood -- reflecting the studio's own equal-but-separate relationship with the rest of Hollywood, where glamour, ambition, indulgence, pressure and other factors often made for less healthy child-rearing circumstances.

Of more immediate interest to nostalgic adults (and film geeks) than children who enjoy today's Disney product, "Christmas" is deftly edited, but perhaps underestimates its own appeal -- it could easily have been drawn out to feature length. As usual with Disney historical digs, all archival materials are in terrific condition. With: Diane Disney Miller.  Camera (color/B&W); editors, Mark Lowrie, Chris Pickens; music supervisor, Toddrick Spalding; art director, Jon Converse; sound, Warren Kleiman. Reviewed on DVD, San Francisco, Nov. 23, 2009. Running time: 51 MIN.

Christmas With Walt Disney: Through Jan. 4 at the Walt Disney Family Museum,
104 Montgomery St. in the Presidio. (415) 345-6800. www.waltdisney.org.



Hulu’s Success Creates Intellectual Property Rights Headaches

Los Angeles, May 12, 2009.  The new media revolution led by upstart Hulu is changing the way we watch television, and creating a new market for old TV shows and archival films.  But the additional rights needed to rebroadcast on the Web and handheld devices is also creating a scramble for a piece of the profits.

Earlier this month, Disney struck a deal with Hulu to air a bunch of its ABC subsidiary content on the Web provider’s bandwidth.  With the explosion of TV content heading for the Internet, the "re-clearing" of content for the Internet is a new and costly problem for producers and broadcasters. At the same time, this new market is creating a new growth opportunity for a niche of pros and companies that specialize in rights clearance.

A Boston Globe story on  May 3, 2009 cites programming outlet WGBH, which is having to negotiate new licenses for documentaries in its archive for web consumers:

“It's only 30 seconds out of a 90-minute film, fleeting glimpses of then-President Jimmy Carter as seen in a 1976 Playboy magazine interview. But to secure the rights to use these five photos in the documentary series 'The Presidents,' which re-aired last fall, WGBH had to pay Playboy $12,400.

“That was all well and good for the show's broadcast and even for its release on video. But now, in the age of digital downloads - when TV networks are hungry to find new ways to attract larger audiences - the challenge has started all over again. WGBH has to go back and strike a deal for the digital rights to each photo of Carter.”

Actors have also upped the ante.  The new union contract which has been tentatively approved by the Screen Actors Guild, as reported several weeks ago by CNN, and after months of protracted negotiations, includes so-called "New Media" provisions to protect actors whose performances are reused on the internet and other downloaded formats.

According to the the Alliance of Motion Picture and Television Producers, "Because both sides were willing to compromise, we now have an agreement that will provide SAG members with meaningful wage boosts, pension increases, first-class health benefits and a complete set of new media rights and residuals," the Alliance's Web site said.  Producers have yet to see the actual contract provisions as it hasn’t yet been fully ratified by the membership.

According to the Globe and industry sources, the demand for content for the Web is creating new opportunities for content producers to monetize their archives, and for those individuals and companies who specialize in rights clearance, the business of obtaining the necessary third party intellectual property rights for TV programming.


Obtaining the new and expanded rights is a complex business, and can be a costly one for content owners.  Professionals in the rights clearance business usually have extensive backgrounds on the production side of the business, often in the trenches of the Hollywood entertainment and music industries.  They use the their accumulated contacts and knowledge to get negotiations done quickly, efficiently and on-budget.  Clearance experts do the legwork of locating the rights holders and negotiating for photo rights, performance rights of actors and musicians.  They will also handle directors and writers payments, deal with any guild requirements, in addition to any needed music clearance.

Rights Camera Action! is a rights clearance company based in Los Angeles, specializing in research and clearance for film, TV, merchandise and advertising.  Keith Relkin is a member of Clear, Inc., an association of Clearance and Research professionals. http://www.clearinc.org/


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Contact:

Keith Relkin
310-270-5775
ClearanceByKeith@aol.com
http://RightsCameraAction.net








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